Handmade Hand-Knotted Oriental Design Rugs: The Ultimate Luxury
Hand-made, hand-knotted oriental design rugs carpets and rugs are broadly segregated in two categories in terms of designs & motifs Oriental, Traditional (with floral motifs) & Geometric designs.
Oriental carpets have traditional, floral designs that are primarily Persian designs (of Persian origin) and motifs having a classic center medallion with accompanying corner motifs rest against fields of lotus, peony and cloud scroll.
Many of the Oriental motifs have smaller designs incorporated within the main pattern, made of iris, tree-of-life motif, diamonds, blossoms and even fruits like pomegranates, grapes and berries.
When people ask, “What makes a rug Oriental?”, the answer is rooted in tradition, quality, and design. These rugs are crafted using age-old techniques passed down through generations, resulting in stunning pieces that are prized for their durability, beauty, and the cultural stories they weave into any space.
The enduring allure of Kashmiri handmade rugs lies in their intricate craftsmanship and timeless beauty. As Western demand for Kashmiri handmade rugs continues to grow, these exquisite pieces are becoming must-have items for discerning homeowners and designers alike, blending traditional artistry with modern elegance
Review the top 5 tips on buying Kashmir oriental carpet with the Rug Assure certificate, online as well as from our World Trade Centre; Mumbai based showroom; that stocks 2,000+ ready-to-ship authentic carpets.
The medallions come in all kinds of varied shapes and sizes and are traditionally inspired from ancient symbols of nature, culture or religious significance. Several studies have concluded that these medallions have been inspired from Palace architecture and domes of places of worship.
These center-medallion designs in turn have repeated all-over pattern of interlaced garlands and arabesque foliage bobbins flawlessly woven in continuing flow of smaller and dispersed medallions in the field spread with a medley of colors and motifs.
This harmony of Tulips, Chrysanthemums, Lilies and Carnations, among others, in all their virgin glory is then extended splendidly and deftly by expert hands in the multi-pronged borders, numbering in some cases up to even 12 on each side, in these infinitely amazing carpets of Kashmir.
Some of the motifs, such as the cypress and prunes blossom represented in Ottoman and Safavid rugs of the first half of the sixteenth century, are drawn in natural manner. This is especially true of Mughal weaving, in which beautifully observed flowers, including lilies, irises and bluebells are often represented three or five to a plant as in an herbaceous border. The Ottomans developed the so-called quatre fleurs style, composed of tulips, hyacinths and carnations, with a fourth flower interpreted variously as a rose or a peony.
For custom ordering an unique oriental carpet, feel free to contact our carpets and rugs expert: Rohit Sharma, who has been guiding clients for the past 20 years.
Most floral forms used in carpets and rugs are however, represented in a highly stylized manner. A curious motif, certainly of Indian origin, is the pear shaped leaf known as the boteh, best known in the West for its use on Kashmiri shawls. Absent from classical rugs, it is found as both a field and border motif in many nineteenth-century rugs, particularly from Senneh and the South Caucasus. In tribal designs, it appears in the form of a gul (flower).
Perhaps the most ubiquitous floral form is the palmette, which probably takes its name from the palm frond which it initially resembled in Assyrian times. In Islamic art, the term ‘palmette‘ covers a wide range of floral motifs. It may resemble a sliced artichoke, a vine leaf, or a stiffly drawn lotus blossom.
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Kashmir Oriental Carpet Enterprises
20, Crush Hall, World Trade Centre
Cuffe Parade, Mumbai 400 005. India
Tel: +91-22-2218 3284 / +91-22-2218 8851
Email: contact@carpetsofkashmir.com
